The unit has a preset knob on the front, which allows you to scroll through presets you’ve created, meaning you can control your virtual rig without having to click between presets with the mouse.
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Indeed, one of our favourite features is the easy integration with AmpliTube. Within 30 minutes of unpacking the unit, we were recording our first guitar loops and setting up amp presets in AmpliTube. The unit is easy to set up, and even if you’ve never used this sort of product before, you can get stuck into some serious recording time in no time. With two quarter-inch inputs on the front and two phantom-powered XLR inputs at the rear, it’s extremely versatile.
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It quickly becomes apparent that the AXE I/O is a one-stop shop for anyone starting to record in their bedroom or for the professional guitarist on the road looking to take a studio with them. This contains a range of samples to use in your own productions including drum, piano, strings and percussion.
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You also get a copy of Ableton’s Live 10 Lite DAW, 10 plugins from IK’s T-Racks 5 Plugin Collection, giving you some vintage compressor and limiter emulations, channel strips, reverbs and mastering plugins and a free sample library from its Sampletank application. You can also obtain add on packs from AmpliTube’s Custom Shop application. This contains 25 amps, 33 stompboxes, 29 cabinets and more. Visit him online at the interface, you get access to IK’s amp modelling software, AmpliTube 4. Barry Rudolph is an L.A.-based recording engineer/mixer. Explained in Mix Magazine, March 2008 review. Means to reamp while simultaneously doubling the performance live on an additional track. *Double-track reamplifying was pioneered by Barry Rudolph. as effects in your pedal chain or use stomp boxes as an effects loop in your mixer.īarry Rudolph in the studiio - MW1 Out take Use your favorite studio compressors, EQs, etc.
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Use the variable input and output impedance controls to match the original sound of the track or find new and better sounds. Use exaggerated impedance settings to find new sounds.ĭeveloped in cooperation with Michael Wagener, MW1 Studio Tool Real-Amping™ involves capturing clean safety tracks while recording, then re-recording those tracks through various amps, profilers, emulators and effects for composite layering or to replace the original amplifiers and effects if they no longer fit the mix. Insert effects loop pedal chains into you studio signal chain. Insert line level studio gear into your effects loop pedal chain. Reverse DI to reamp any take through various amps, profilers or FX pedals. Make clean safety tracks of every take for more options when mixing.
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Universal international power 85 to 260 VAC, 50 or 60Hz Polarity-reverse and ground-lift switches for common interfacing needs.
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Tuner out with mute function for silent tuning or changing instruments. Variable input and output impedance help match your original signal.Īmplifier send with up to 30dB of transparent clean preamp boost. Line to instrument-level reverse DI for reamp-recording or composite layering. Instrument to line-level transparent, transformerless DI for clean tracking. Why use an outdated passive DI box to knock your signal down to mic level, only to gain it back up (along with the DI's added noise floor) through a mic pre? Reduce noise and streamline your signal path using the MW1 to boost your instrument's signal directly to professional studio balanced line level! Features And, it's combined with a great sounding reverse DI for re-recording and composite layering. The MW1 is the purest DI signal splitter you can insert into any signal chain without changing your sound. Instrument-level preamp to line-level balanced DI with reverse DI interface